The NWO Conspiracy of Modern Art

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https://realnewsandhistory.com/anyt-09-25-25/

NY Times: The Women Who Helped Create Abstract Expressionism

Rebuttal by

THE ANTI-NEW YORK TIMES 

A Jewish Cabal-promoted movement whose early practitioners (1910s) openly referred to themselves as the "anti-art movement" rejected the traditional definition of art itself. The new twisted "artists" embraced absurdity in order to disrupt established artistic norms and the very definition of art. The Dada movement, emerging from World War I (also, a Cabal engineered event), used anti-art to protest the war and the traditional society which caused it. "Modern Art" has always been strongly promoted by various tentacles of the New World Order crime gang. Stacks of receipts to support that assertion -- Google the following and see: CIA & Modern Art -- Communist Party & Modern Art: -- Rockefeller Family & Modern Art -- Rothschild Family & Modern Art: -- Soros Family & Modern Art-- The United Nations & Modern Art: etc., etc., etc.

Add to the aforementioned high-powered list of "patrons of the arts" the Sulzberger-Ochs Family -- whose "paper of record" has long puffed up creepy charlatans such as the openly Stalinist Pablo Picasso and the madman Jackson Pollock. This particular pro-Modern Art article is just one of the thousands that the Slimes has published since the Ochs-Sulzberger crime family bought the newspaper from its previous White owners in 1896. The Slimes Art section actually gives their impressionable readers a "twofer" with this write-up about Modern Art and women artists finally being recognized -- you know, the usual sanctimonious puke about "breaking the glass ceiling. ™"

From the article:

"Abstract Expressionism is usually treated as a boys-club affair. But it wasn’t, as an exhibition called “Women of Abstract Expressionism” at the Denver Art Museum proves. .. Organized by Gwen F. Chanzit, the show brings together some fabulous work. And whether it looks classical or radical, it upends the existing histories of a style."

Indeed! Hear hear! It is high time that we all recognize the fact that artsy-fartsy gals can indeed expel commie crap onto canvas that is every bit as repulsive, every bit as demented, and every every bit as nonsensical as what the hipster boys can churn out. Congratulations ladies. You've come a long way, baby! Now let's have a look at what these oh-so-talented yet heretofore unappreciated she-devils so obscurely crapped out.

1. Early "Anti-Art" Marxists drew mustaches on replicas of the Mona Lisa. // 2. George Soros arrives at the MoMA (Museum of Modern Art) in New York for his pre-third-wedding cocktail party in 2013. // 3- The late David Rockefeller, honored at the MoMA -- a cesspool of ugliness which his family has funded and directed since 1929.

Joan Mitchell, Grace Hartigan, Helen Frankenthaler -- every bit as deranged, er, "talented" as Picasso, and it's time they were recognized!

What is the agenda behind this century-old movement to replace the good stuff with neurotic garbage? What does it prosper the Globalists to plaster the walls of the nation's museums with such multi-colored devil's dung? It's simple. You see, boys and girls, Modern Art -- just like much of Modern Music, Modern Literature, Modern Science etc. -- distorts the appreciation and understanding of truth and beauty. Convince the "intelligentsia" that up is down, black is white, crap is gold, gold is crap, and soon you can sell them anything. Indeed, if the Food Section of Sulzberger's Slimes were to authoritatively announce that "studies have shown" ™ that dogshit sandwiches are delicious and nutritious; libtards from coast to coast would gleefully begin to gulp them down like White Castle mini-hamburgers. -- "Mmmmmm. Yummy! Tastes just like beef!"

The essence of "modernism" is to suppress your own common sense and critical thinking, and then choose to believe in nothing --unless, of course, the (((elites))) instruct you to believe in something. The modernist painter or sculptor of ugliness is not at all concerned with beauty and truth. To a degenerate soul, truth is only a point of view that drifts with the polluted tide of "popular opinion" ™ -- that manufactured dogma which is little more than a mass psychosis shaped by the "usual suspects." In both literature and art, and even "theoretical science," there is now a complete rejection of truth and beauty. Heck! Even the Pinko Pope Francis refused to call sin by its rightful name. Although the Q-deceased Argentinain ass-clown did indeed pass very strong judgements about Global Warming ™ and secured national borders, but I digress.

In the end, a people that can no longer distinguish truth and beauty from falsehood and ugliness, is a people that is ripe for all manner of deception, oppression and enslavement. And that is why Modern Art is the art of choice for the cultural vandals behind the New World Order --- and it is also why The Great One (that's Hitler for all you newbies and normies), a talented painter himself (see examples below), protected his people from this massive financial and psychological con-game that is still going strong today.

The Great One: "Works of art that cannot be understood but need a swollen set of instructions to prove their right to exist and find their way to neurotics who are receptive to such stupid or insolent nonsense will no longer openly reach the German nation."

Boobus Americanus 1: I read in the New York Times today about an exhibit featuring the works of previously unknown female artists who helped to shape Abstract Impressionism.

Boobus Americanus 2:  My understanding is that a number of women artists also contributed to the development of early 20th Century Dadaism.

St. Sugar:  Sstop trying to ssound cultured, you sstupid f@#&^#! The elitess are laughing at you! .

Editor: The Emperor's New Clothes.