Rothschild White Genocide Art at Eiffel Tower

NY Times: Bastille Day Fireworks Light Up the Eiffel Tower in Paris

Traditional fireworks light the Eiffel Tower, a celebration of the storming of the Bastille

prison which led to the French revolution in 1789.

Bastille Day (July 14th) came and went a few weeks ago with the usual fireworks display at the Eiffel Tower. The event celebrates the "spontaneous" 1789 storming of the Bastille prison (to steal weapons, NOT to liberate prisoners) by a mob of what you could say was the "Antifa" of the day. Some of the street muscle in those times were committed revolutionaries (Jacobins), and others were just paid participants guided by invisible Cabal / Illuminati masters determined to subvert Catholic France and erect a secular humanistic communistic state in its place.

But the topic of today's analysis is not the Phony French Revolution -- though that is exactly where the problem originated -- but rather, a more recent contemporary manifestation which took place at the iconic Eiffel Tower. The generational Cabal telegraphed to Parisians and tourists, for a little while, the ultimate "comm" for their Satanic plot to exterminate the White Man. In 2016, the people managing the grounds of the tower went full retard by featuring a display of Rothschild-funded anti-White hatred so blatantly shocking that it must be seen to be believed. The "usual suspects" seemed to have been so confident back then that (((they))) evidently believed, in those pre-Q days, that there was no longer anything to fear about such blatant in-your-faceness.

The giant mural (temporary) painted on the floor below the Eiffel Tower was completed in September of 2016 by a Los Angeles-based artist named Cleon Peterson. The bizarre "work of art" was titled, "Endless Sleep" -- an obvious reference to the coming "endless sleep" of the White Race. There is really no need for us to interpret the meaning of Peterson's obscene ode to Cabal Kalergification of Europe. To all but the most brain-dead libtard, the massive 500 square-meter image, best viewed from the top of the Eiffel Tower while looking straight down, spoke for itself.

Have a look -- and don't say we didn't warn you!

1. Cleon Peterson // 2 & 3: Black figures are superimposed over the White characters, as a Black male and White female embrace passionately in the center. The linked arms of the Blacks form a 6-pointed Star of David.

The Star of David at the center is an obvious tribute to Peterson's benefactors. The House of Rothschild has long promoted White Genocide. But don't take our word for it. Here it is, from a tweet, from Peterson himself:

Peterson, an "ex" heroine addict, tweeted out his gratitude to French banking couple Benjamin and Ariane de Rothschild. the "gratitude" is related to Peterson (with 10 helpers) having been commissioned to paint the disgusting White Genocide mural.

Should there be any remaining doubt as to what the Eiffel Tower floor mural truly symbolizes, a review of the self-loathing artist's earlier works -- depicting what he refers to as "the hedonistic triumphs of those who recognize themselves as victorious in the unfolding mirror of history" -- clearly confirms the nightmare which the Cabal had in store for western White man.

Before prostituting himself to the Rothschilds and painting Paris, Peterson was known for churning out scenes of torture, rape and mass murder of White people at the hands of Blacks --- a perfect hireling for the Cabal!

Plenty more such as this.

In his 1925 book 'Praktischer Idealismus', the half-Austrian / half-Japanese, Rothschild-funded (also by his own written admission) Count Richard Coundehove Kalergi boldly declared that the citizens of the future "United States of Europe" will not be White people anymore. In his own words, the man who is today regarded as one of the founders of "modern Europe" revealed the game:

"The man of the future will be of mixed race. The races and classes of today will gradually disappear due to the elimination of space, time, and prejudice. The Eurasian-negroid race of the future, similar in appearance to the Ancient Egyptians, will replace the diversity of peoples with the diversity of individuals."

Of course, Kalergi's chosenite paymasters will not be replaced or blended out by this "Eurasian-negroid race of the future."Wrote the hired hack of his beloved Rothschild bosses:

"Instead of destroying European Judaism, Europe, against her will, refined and educated this people, driving them to their future status as a leading nation through this artificial evolutionary process. It's not surprising that the people that escaped from the Ghetto-Prison, became the spiritual nobility of Europe. Thus, the compassionate care given by Europe created a new breed of aristocrats. This happened when the European feudal aristocracy crashed because of the emancipation of the Jews."

The 2016 artistic abomination at the Eiffel Tower was "The Kalergi Plan" --- in paint. The end game was upon us, and for those who think that the final stages of genocide would have been manifested by a peaceful and gradual blending-out of the last remaining non-elite White Europeans, Peterson's previous paintings, and Rothschild's evident affinity for them, ought to dispel that delusion once and for all. Though the Rothschilds have been "dealt with" and the New World Order is out of business -- the demographic repair work will be challenging, as the indigenous White population of infertile Europe grows older by the day.

1. Kalergi, writing on behalf of Rothschild & Friends, foresaw the current Turd World invasion of Europe. // 2 & 3. When Austria and Germany merged, Kalergi's benefactor and personal friend, "Baron" Louis von Rothschild, was arrested and made to scrub floors. // 4. The fruits of Kalergism.

Evelyn de Rothschild, Jacob de Rothschild, Benjamin de Rothschild --- all dead of "natural causes" in just the past few years. Ages 91, 89 & 58 respectively.

Boobus Americanus 1: I read in the New York Times today that the Bastille Day fireworks at the Eiffel Tower were amazing.

Boobus Americanus 2: I've always wanted to visit Paris.

*St. Sugar: It ain't what it ussed to be, Boobuss!
Editor: Under Marxified French law, the collection of racial and ethnic data in the national census data is prohibited. Nonetheless, it is estimated that as much as 40% of Paris is now non-White.