The 2014 VMAs: All About Oversexualization
Pushed by Music Industry Puppets
vigilantcitizen,com
The 2014 VMAs were focused on a single theme – a theme that
was expressed using most of the stars of the show. From Nicki Minaj and
Ariana Grande to Iggy Azalea and Beyonce, the sight and the sounds of
the VMAs were about one thing: Oversexualization using Illuminati
puppets.
Last year’s VMAs were all about Miley Cyrus acting like a fully
programmed Beta Kitten. This year, nearly all of the performers who took
the stage were acting like fully programmed Beta Kittens. When the
“highlights” of an award show are the butt implants of Nicki Minaj and
(most likely) Iggy Azalea, you know there wasn’t much substance there.
After the show, MTV reported as “news” that Austin Mahone said about
Nicki Minaj:
“Her butt was just huge. That was all I could focus on.”
This pretty much sums up the 2014 VMAs: a dumbstruck audience staring
at butts for a few hours, mixed with some industry pawns getting shiny
trophies. While some viewers might say “That was awesome!”, let’s not
forget that the target audience of MTV are born around the year 2000.
They are the ones growing up watching this, absorbing the sights and
sounds. And the sights and sounds of the 2014 VMAs sent a clear message
to these youths.
Oversexualization means, simply, “sexualizing excessively”. Yes,
making love is a wonderful part of life, but when this act is debased,
corrupted, exploited, and sold to young, immature minds, it can produce
lifelong negative psychological and interpersonal effects. However, to
the occult elite, those effects are desirable because it produces a
population with “loose morals”, which is just the kind of population
they are looking to create.
As usual, the VMAs featured small selection of performers. Even
“crowd reaction” shots were focused only on a few guests, namely Katy
Perry, Taylor Swift, and Kim Kardashian. In short, the 2014 VMAs were
all about the industry kittens.
Here’s a look at the main stars of the VMAs and their main message.
You will probably realize that they are all similar, almost as if they
were controlled by the same people. Newsflash: They are.
Ariana Grande
“Ariana Grande is killing it right now. I’m attracted to her and, you know, I feel a little weird about it because … she looks kind of young, don’t she? You should not be a grown man enjoying Sam & Cat just like your five-year-old nephew. He’s like: “Uncle I like her”. I’m like: “I like her too baby, she’s amazing”.
Ariana Grande is currently getting a huge push from the industry to
launch her career. Unsurprisingly, she is already pushing the messages
and the symbolism that comes with being an industry puppet.
Nicki Minaj
As documented in several articles on this site, Nicki Minaj has been used to push all kinds of Agendas in the few past years. Her latest single, Anaconda, is a continuation of her doing exactly what the industry wants her to do. The song samples Sir Mix-A-Lot’s Baby Got Back
and repeatedly uses the line “My anaconda don’t want none unless you
got buns, hun” which can be translated to “You will not attract guys if
you do not have a gigantic butt like Nicki Minaj’s”. When Sir Mix-A-Lot
rapped this line in the original song, it was kind of funny and amusing.
But, in the context of Minaj’s song, it became a way of making young
girls feel inadequate.
If you’re able to not focus exclusively on her butt and listen to the
lyrics, you’ll notice that each verse is about Nicki banging a
different guy. Because he has money. Pretty uplifting.
This dude named Michael used to buy motorcycles
D*ck bigger than a tower, I ain’t talking about Eiffel
Real country ass n***a, let me play with his rifle
P***y put his ass to sleep, now he calling me NyQuil
Now that bang bang bang, I let him hit it cause he slang cocaine
He toss my salad like his name Romaine
And when we done, I make him buy me romaine
I’m on some dumb s**t
The last line of this verse is quite accurate. But things get dumber.
A part of the song repeatedly says “Oh. My. Gosh. Look at her butt”.
Meanwhile, during her performance Nicki shook her surgically enlarged
behind continuously. It’s these moments of clarity where you realize
that our civilization has reached a new cultural low and that we are not
far from Roman-style all-out decadence.
Of course, one might say: “It’s a fun song about big butts! Get over
it pal!”. Well, okay, pal. Let’s look at the other performance given by
Minaj:
It was not just one song. The entire awards show was all about selling “it” through industry puppets.
Jessie J
For some reason, Jessie J is always invited to big events. Maybe it
is because she’s always been down with the Illuminati Agenda. In this
case, her single Bang Bang fits perfectly in the overarching theme of the 2014 VMAs. Here is the chorus of the song:
Bang bang into the room (I know you want it)
Bang bang all over you (I’ll let you have it)
Wait a minute let me take you there (ah)
Wait a minute tell you (ah)
Bang bang there goes your heart (I know you want it)
Back, back seat of my car (I’ll let you have it)
Wait a minute let me take you there (ah)
Wait a minute tell you (ah)
Jessie J is just another puppet selling “it” to the youth.
Iggy Azalea and Rita Ora
Iggy Azalea and Rita Ora have both been featured on Vigilant Citizen because they push the Illuminati Agenda (see my article on Iggy’s video celebrating Kitten Programming). In the VMAs, they performed the song Black Widow,
which is the name of venomous female spiders who eat the males after
mating. Guess what the song is about? Yup, copulating with a guy and
killing him afterwards. Vengeful, evil copulation mixed with death. That
is the kind of crap the industry loves to promote.
Beyonce
Not unlike the VMAs of the past few years, Jay-Z and Beyonce acted as
the “royal family” of the awards. Beyonce was given the Video Vanguard
Award and got to perform a whole lot of songs. Beyonce being awarded in
this edition of the VMAs makes sense, since for years she has been the
main figure of the Kitten industry. As stated in several articles on this site, Beyonce has been used to push all aspects of the elite’s Agenda.
As expected, Beyonce’s performance got rather raunchy and explicit. Here’s a verse from her song Partition.
Driver roll up the partition please
I don’t need you seeing Yoncé on her knees
Took 45 minutes to get all dressed up
We ain’t even gonna make it to this club
Now my mascara runnin’, red lipstick smudged
Oh he so horny, yeah he want to f**k
He popped all my buttons and he ripped my blouse
He Monica Lewinski’d all on my gown
This was intertwined with a confusing bit about feminism.
While Beyonce was performing, the camera kept cutting to Jay-Z and Blue Ivy.
While the presence of Blue Ivy was somewhat heartwarming, there is a
question that is needs to be asked. Is anyone else bringing their kids?
Why is she so present and publicized? Does she need to be in that
spotlight? In the context of these VMAs – which are almost ritual
dramas, yes, she needed to be there. She is the heir of the royal
couple. Like all of the young people around the world, she witnessed a
few hours of intense oversexualization. And then she saw her mother get a
trophy for it. The Agenda is about implementing values to the younger
generation. And Blue Ivy represented that. And that is how the VMAs
ended.
In Conclusion
This year’s VMAs did not contain the usual occult symbolism that is
described on this site. In fact, it did not contain much substance at
all. It focused solely on an key part of the industry agenda:
Sexualizing the youth and exposing them to debasing, degrading messages.
It is about associating art, music and creation with the exploitation
of lust. As seen in the lyrics and images above, the “stars” of the show
are not independent artists, they are puppets part of the same system,
all linked together under the “one-eye sign”.
In an ideal world, this kind of spectacle would prompt viewers to
question the state of modern society’s mass art and culture, which is
constantly sinking to new lows. It would make viewers wonder why all
this “music” has become a homogenous cesspool of overstimulating,
mind-numbing messages. Unfortunately, most viewers will have just one
reaction to the 2014 VMAs: “Look at her butt!”
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