#SymbolicPics of the Month 08/10

By Vigilant Citizen

In this edition of SPOTM: Rose McGowan, Rihanna, Iggy Azalea, Millie Bobby Brown, Adam Lambert and more irrefutable proof that the entertainment industry is owned by a sick, secretive elite. And it wants to control your brain.

The art of Iggy Azalea’s album In my Defense depicts the rapper dead with blood around her. 

Behind her is a BMW with an eerie red light emanating from it. Does this gruesome image represent

#Symbolic #Pic of the #Month 01/19

By Vigilant Citizen

In this edition of SPOTM: Samuel Jackson, Iggy Azalea, David Beckham, Travis Scott and irrefutable proof that the occult elite controls mass media.

This is a headline from Cosmopolitan celebrating the ex-Disney star Dove Cameron. Can you guess what kind of pictures were found in the article?

Yup, one-eye signs to let you known that she’s owned by the industry. But wait, maybe she was raising her hand because she had a question.

Another pic emphasizing one eye. But wait, maybe she was conducting scientific research at the time

#AmericanMusicAwards2014 #Illuminati #Symbolism

vigilantcitizen,com

The 2014 American Music Awards Were Littered With Illuminati Symbolism

The 2014 American Music Awards featured stars such as Taylor Swift, Iggy Azalea and Jennifer Lopez. While these artists are supposed to appeal to different musical genres, they were all singing the same song: “We are pawns of the elite”. Case in point : Their performances were littered with Illuminati symbolism.

Watching award shows is a dizzying, mind-numbing experience for most people but they become a truly revolting experience for those who understand their underlying symbolism. 

In my article about the 2014 VMAs, I explained how it was about “oversexualization pushed by music industry puppets“. Although produced by another television network, the 2014 American Music Awards were a perfect continuation of this trend. The same few artists got the exposure they crave by taking the stage and performing (those who are being pushed under the spotlight), we saw the same “celebs” in the crowd overreacting to mediocre songs (seeing Taylor Swift or the Jenner sisters dancing to a new single is a great way to get people to download it from iTunes) and the same message is ultimately pushed: To make it in the industry, you have to push the elite’s message.

Let’s look at the debasing and dehumanizing messages that were served to the public during the 2014 AMAs.

Taylor Swift Kills a Bunch of Men

The AMAs began with the idol of suburban America: Taylor Swift. Young girls love her because she is so “cool and down to earth”. Is ritualistically killing a bunch of men in horrific ways “cool and down to earth”? Well that is what her performance was about … And I am not sure that many “swifties” (yes, that’s how Taylor Swift fans call themselves) understood that message. Swift is not the humble, guitar strumming singer anymore – she’s all about Illuminati pop now.

While performing her single Blank Space, Swift plays the role of a man-eating rich woman.

The performance begins with Swift sitting in a classy dining room with some poor sap. Notice the dualistic pattern in the background which refer to the ritualistic connotation of the act.

#VMAs: All About #Oversexualization

The 2014 VMAs: All About Oversexualization 

Pushed by Music Industry Puppets

vigilantcitizen,com

The 2014 VMAs were focused on a single theme – a theme that was expressed using most of the stars of the show. From Nicki Minaj and Ariana Grande to Iggy Azalea and Beyonce, the sight and the sounds of the VMAs were about one thing: Oversexualization using Illuminati puppets.

Last year’s VMAs were all about Miley Cyrus acting like a fully programmed Beta Kitten. This year, nearly all of the performers who took the stage were acting like fully programmed Beta Kittens. When the “highlights” of an award show are the butt implants of Nicki Minaj and (most likely) Iggy Azalea, you know there wasn’t much substance there. After the show, MTV reported as “news” that Austin Mahone said about Nicki Minaj:

“Her butt was just huge. That was all I could focus on.”

This pretty much sums up the 2014 VMAs: a dumbstruck audience staring at butts for a few hours, mixed with some industry pawns getting shiny trophies. While some viewers might say “That was awesome!”, let’s not forget that the target audience of MTV are born around the year 2000. They are the ones growing up watching this, absorbing the sights and sounds. And the sights and sounds of the 2014 VMAs sent a clear message to these youths.

Oversexualization means, simply, “sexualizing excessively”. Yes, making love is a wonderful part of life, but when this act is debased, corrupted, exploited, and sold to young, immature minds, it can produce lifelong negative psychological and interpersonal effects. However, to the occult elite, those effects are desirable because it produces a population with “loose morals”, which is just the kind of population they are looking to create.

One giant creepy All-Seeing Eye is letting you know that the elite is sponsoring this fiasco.

As usual, the VMAs featured small selection of performers. Even “crowd reaction” shots were focused only on a few guests, namely Katy Perry, Taylor Swift, and Kim Kardashian. In short, the 2014 VMAs were all about the industry kittens.

Here’s a look at the main stars of the VMAs and their main message. You will probably realize that they are all similar, almost as if they were controlled by the same people. Newsflash: They are.

Ariana Grande

Ariana Grande is yet another child TV star turned into an industry Kitten.