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Mostrando entradas con la etiqueta Met Gala. Mostrar todas las entradas
Mostrando entradas con la etiqueta Met Gala. Mostrar todas las entradas

09 mayo, 2019

The #METGala2019: A Perfect Reflection of the #Showbusiness #Agenda


A look at the outrageous outfits of the 2019 MET Gala and the event’s underlying agenda.

By Vigilant Citizen

The MET Gala is a yearly gathering of industry stooges who parade around in elaborate outfits, as photographers take hundreds of pictures for the world to see. The goal? Fundraising. The real goal? The elite showcasing its pawns and its agenda.

In my article about last year’s MET gala (The 2018 Met Gala: Because the Industry Loves Blasphemy), I explained how the entire theme fit the elite’s obsession with desecrating Christianity. Some observers even described the event as all-out “satanic”, complete with Madonna conducting a black mass.


This year’s theme was Camp: Notes on Fashion. The name is inspired by Susan Sontag’s 1964 essay that defined camp as “love of the unnatural: of artifice and exaggeration” (coincidentally enough, “love of the unnatural” perfectly describes the philosophy of the occult elite).

Camp is usually associated with drag culture and goes back a few centuries. The first English definition of the term “camp”, which appeared in a 1909 edition of the Oxford English Dictionary, states:

“ostentatious, exaggerated, affected, theatrical; effeminate or homosexual; pertaining to, characteristic of, homosexuals…”

While not as controversial as last year’s blasphemous theme, this year’s theme was a perfect way to

05 junio, 2018

The 2018 #MetGala: Because the #Industry #Loves #Blasphemy

By Vigilant Citizen


The theme of the 2018 Met Gala revolved around Catholic imagery. As a result, dozens of industry stooges paraded around in outfits trivializing, sexualizing and blaspheming Catholic and Christian symbolism.

The theme of the 2018 Met Gala was Heavenly Bodies: Fashion and the Catholic Imagination. The title itself – which uses the expression “heavenly bodies” to allude to the sexy celebrities the masses lust for – perfectly encapsulates the philosophy behind this fashion event. It is about using symbolism associated with the holy, the spiritual and the divine and applying it to a fashion show that is about the exact opposite: Opulent materialism, crass sexuality, and desecration of the sacred.

The event featured creations by major fashion houses owned by the occult elite such as Gucci, Balmain, and others. Here are some examples.

Long-time industry pawn Rihanna dressed as a silver pope.