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The 2014 American Music Awards Were Littered With Illuminati Symbolism
The 2014 American Music Awards featured stars such as Taylor Swift, Iggy Azalea and Jennifer Lopez. While these artists are supposed to appeal to different musical genres, they were all singing the same song: “We are pawns of the elite”. Case in point : Their performances were littered with Illuminati symbolism.
Watching award shows is a dizzying, mind-numbing experience for most people but they become a truly revolting experience for those who understand their underlying symbolism.
In my article about the 2014 VMAs, I explained how it was about “oversexualization pushed by music industry puppets“. Although produced by another television network, the 2014 American Music Awards were a perfect continuation of this trend. The same few artists got the exposure they crave by taking the stage and performing (those who are being pushed under the spotlight), we saw the same “celebs” in the crowd overreacting to mediocre songs (seeing Taylor Swift or the Jenner sisters dancing to a new single is a great way to get people to download it from iTunes) and the same message is ultimately pushed: To make it in the industry, you have to push the elite’s message.
Let’s look at the debasing and dehumanizing messages that were served to the public during the 2014 AMAs.
Taylor Swift Kills a Bunch of Men
The AMAs began with the idol of suburban America: Taylor Swift. Young girls love her because she is so “cool and down to earth”. Is ritualistically killing a bunch of men in horrific ways “cool and down to earth”? Well that is what her performance was about … And I am not sure that many “swifties” (yes, that’s how Taylor Swift fans call themselves) understood that message. Swift is not the humble, guitar strumming singer anymore – she’s all about Illuminati pop now.
While performing her single Blank Space, Swift plays the role of a man-eating rich woman.
The performance begins with Swift sitting in a classy dining room with some poor sap. Notice the dualistic pattern in the background which refer to the ritualistic connotation of the act.