#Peekaboo by #RedVelvet: Why Do #Men Keep Getting #Killed in #MusicVideos?

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In Peek-a-boo, members of the group Red Velvet kill a pizza delivery boy as part of an occult ritual. It is the ultimate proof that K-Pop is completely sold out to the occult elite.

Red Velvet is the name of a delicious cake, but it is also the name of a K-Pop girl band that is extremely popular in Asia. The group’s video Peek-a-Boo reads as an Occult-Elite 101 introductory course and it ends with the death of a random guy for no apparent reason. The video is a perfect continuation of a disturbing trend seen across pop culture: The killing of men by female stars. Why is murder being celebrated in pop videos aimed at young people?

One thing is for sure, the members of Red Velvet are not making the decisions involving their careers. And they’re not directing any videos.

Indeed, Red Velvet is signed with the notorious South Korean label SM Entertainment, which has made the news several times for subjecting “idols” (that’s how these performers are they’re called in Korea) to “slave contracts” and mistreatment.

SM Entertainment, one of the largest Korean music labels, has had a series of legal challenges to its contractual policies. In 2009, former Super Junior member Han Geng claimed that the company forced him to do things he didn’t want to do under threat of fines if he disobeyed and denied him sick leave when he developed gastritis and kidney problems. (…)
In 2012, EXO-M’s leader Kris filed a lawsuit to get his contract annulled due to the company’s neglect of his opinion and health: “The company has treated me like a machine part or as an object of control rather than presenting a vision as an entertainer.”– ListVerse, 10 Horrifying Realities From The World Of Asian Pop Music

While K-Pop songs are often cute and upbeat, the behind-the-scenes of this world is extremely sinister. The entire K-Pop system is based on the recruitment and exploitation of young, talented individuals who are subjected to a military-style training program to turn them into slaves.

According to one Singaporean woman who was picked out at a mass audition by a Korean talent scouting firm, trainees are expected to work 14-hour days to practice gym, dance, swimming, and singing. Breakfast is limited to low-fat biscuits, bananas, and lettuce. Chicken breast and salad are

#AmericanMusicAwards2014 #Illuminati #Symbolism

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The 2014 American Music Awards Were Littered With Illuminati Symbolism

The 2014 American Music Awards featured stars such as Taylor Swift, Iggy Azalea and Jennifer Lopez. While these artists are supposed to appeal to different musical genres, they were all singing the same song: “We are pawns of the elite”. Case in point : Their performances were littered with Illuminati symbolism.

Watching award shows is a dizzying, mind-numbing experience for most people but they become a truly revolting experience for those who understand their underlying symbolism. 

In my article about the 2014 VMAs, I explained how it was about “oversexualization pushed by music industry puppets“. Although produced by another television network, the 2014 American Music Awards were a perfect continuation of this trend. The same few artists got the exposure they crave by taking the stage and performing (those who are being pushed under the spotlight), we saw the same “celebs” in the crowd overreacting to mediocre songs (seeing Taylor Swift or the Jenner sisters dancing to a new single is a great way to get people to download it from iTunes) and the same message is ultimately pushed: To make it in the industry, you have to push the elite’s message.

Let’s look at the debasing and dehumanizing messages that were served to the public during the 2014 AMAs.

Taylor Swift Kills a Bunch of Men

The AMAs began with the idol of suburban America: Taylor Swift. Young girls love her because she is so “cool and down to earth”. Is ritualistically killing a bunch of men in horrific ways “cool and down to earth”? Well that is what her performance was about … And I am not sure that many “swifties” (yes, that’s how Taylor Swift fans call themselves) understood that message. Swift is not the humble, guitar strumming singer anymore – she’s all about Illuminati pop now.

While performing her single Blank Space, Swift plays the role of a man-eating rich woman.

The performance begins with Swift sitting in a classy dining room with some poor sap. Notice the dualistic pattern in the background which refer to the ritualistic connotation of the act.