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Mostrando entradas con la etiqueta Charli XCX. Mostrar todas las entradas
Mostrando entradas con la etiqueta Charli XCX. Mostrar todas las entradas

24 mayo, 2015

#BrookeCandy ’s “A #Study in #Duality ” is Actually a Study in #Monarch #MindControl

vigilantcitizen,com

Brooke Candy is an up-and-coming pop singer who is already deep in the elite’s Agenda. Her short video “A Study in Duality” manages to contain most of the imagery relating to Illuminati mind control and the occult mindset surrounding it.

Although Brooke Candy is not yet considered to be a full-fledged pop star, all of the elements are there to make her a favorite of the elite’s music industry. On top of having all of the right connections to “make it big”, she is definitely willing to permeate her work with the Agenda required to get some of that sweet spotlight action.

Candy’s father is the CFO of Hustler magazine and CEO of Hustler Casino. Her industry ties allowed her to get signed with RCA records in 2014 and to to collaborate with people deep in the Illuminati industry such as stylists Nicola Formichetti and Steven Klein (both of them shaped Lady Gaga’s image) and artists such as Nicki Minaj, Charli XCX and Azealia Banks.

The executive producer of her debut album is Sia who will also be writing songs for her. Considering the fact that Sia’s own album 1000 Forms of Fear revolves around MK symbolism and that she wrote for other MK-system stars such Rihanna, Beyonce, and Britney Spears, would you be surprised if I told you that the symbolism surrounding Brooke Candy is also MK-related? Well, don’t be. Because the material that was released after Candy’s signing with RCA is all about the Agenda.

Although it is not even a full music video, A Study in Duality manages to sum-up what Brooke Candy and the entire industry is about : Occult and MK symbolism mixed with debasing, dehumanizing imagery. The video was directed by Nicola Formichetti who worked on Lady Gaga’s videos Bad Romance, Telephone, Alejandro and Born This Way

Formichetti on the cover of L'Officiel with a butterfly hiding one eye, confirming that he is all about the MK industry.
Formichetti on the cover of L’Officiel with a butterfly hiding one eye,

29 noviembre, 2014

#AmericanMusicAwards2014 #Illuminati #Symbolism

vigilantcitizen,com


The 2014 American Music Awards Were Littered With Illuminati Symbolism

The 2014 American Music Awards featured stars such as Taylor Swift, Iggy Azalea and Jennifer Lopez. While these artists are supposed to appeal to different musical genres, they were all singing the same song: “We are pawns of the elite”. Case in point : Their performances were littered with Illuminati symbolism.




Watching award shows is a dizzying, mind-numbing experience for most people but they become a truly revolting experience for those who understand their underlying symbolism. 

In my article about the 2014 VMAs, I explained how it was about oversexualization pushed by music industry puppets. Although produced by another television network, the 2014 American Music Awards were a perfect continuation of this trend. The same few artists got the exposure they crave by taking the stage and performing (those who are being pushed under the spotlight), we saw the same “celebs” in the crowd overreacting to mediocre songs (seeing Taylor Swift or the Jenner sisters dancing to a new single is a great way to get people to download it from iTunes) and the same message is ultimately pushed: To make it in the industry, you have to push the elite’s message.

Let’s look at the debasing and dehumanizing messages that were served to the public during the 2014 AMAs.

Taylor Swift Kills a Bunch of Men
The AMAs began with the idol of suburban America: Taylor Swift. Young girls love her because she is so “cool and down to earth”. Is ritualistically killing a bunch of men in horrific ways “cool and down to earth”? Well that is what her performance was about … And I am not sure that many “swifties” (yes, that’s how Taylor Swift fans call themselves) understood that message. Swift is not the humble, guitar strumming singer anymore – she’s all about Illuminati pop now.



While performing her single Blank Space, Swift plays the role of a man-eating rich woman.

The performance begins with Swift sitting in a classy dining room with some poor sap. Notice the dualistic pattern in the background which refer to the ritualistic connotation of the act.