The Complete #Gallery of #KimNoble’s #Paintings About #RitualAbuse

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A complete gallery of Kim Noble’s paintings about ritual abuse and trauma-based mind control. Noble’s works provide a rare insight into the rituals, techniques, and symbolism used in mind control.

Kim Noble is a peculiar artist for several reasons. She has Dissociative Identity Disorder (DID) and has over 13 personalities (alters). These alters have their own name, age, and history, which exist separately from one another. Even stranger, many of these alters became artists who paint in their own distinctive style. And, while the creations of these alters differ widely from one another, there’s a clear recurring theme in most of Kim Noble’s paintings: Ritual abuse and trauma-based mind control.

My article Origins and Techniques of Monarch Mind Control explains how intense trauma is used to force MK slaves to dissociate from reality, allowing handlers to split the minds of the slaves and to

#GodIsWoman by #ArianaGrande: The #Esoteric #Meaning

By Vigilant Citizen

Ariana Grande’s “God is Woman” mixes the concepts of divinity with sexuality in a video that is full of references to historical works of art. We’ll look at the intense symbolism of this video.

Is God a woman? Of course not. God is an old man with a long white beard, everybody knows that. But seriously, debating God’s sex is one of the most pointless endeavors one can engage in.

Pretty much every religion and spiritual current in History asserted that God is above the concepts of male and female. While life on Earth is divided into two opposing sexes to ensure the propagation of species, God transcends these limitations of the physical realm.

So what is Ariana Grande babbling about when she sings “God is Woman”? Well, first, it is important to note that the song was not composed by Ariana Grande, but by two men (who are record industry giants): Max Martin and Savan Kotecha. Also, the video was directed by another man (who is also an

10 Real Victims of the #CIA’s #MKULTRA Program

J. Francis Wolfe

Project MKULTRA is one of the most famous undertakings relating to the CIA’s efforts toward mass mind control. There were many different tests conducted as a part of the project, including some conducted on volunteers, inmates, and unsuspecting targets. The project involved several different drugs—most famously LSD—and the participants involved had very different reactions to the testing, with some being inspired by it and others becoming terrified of just the notion of any possible future exposure. Some fatalities evem stemmed from Project MKULTRA, and what follows are 10 of the most interesting figures to have involvement with this CIA-sponsored testing.

10 Ken Kesey

Kesey, the author of One Flew Over the Cuckoo’s Nest and a source of inspiration in the counterculture movement, was first exposed to LSD and other psychedelic drugs as a part of the MKULTRA project while still a graduate student at Stanford University. He came to be involved in the study almost by accident, as a

#Symbolic #Pics of the #Month 06/15

 In this edition of SPOTM : #MileyCyrus, #CERN, and more proof that the one-eye sign is taking over the world. 

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Miley Cyrus’ photoshoot with Paper Magazine caused some controversy because there was some nudity involved. Nobody however mentioned the blatant MK ULTRA imagery which is, by far, the most upsetting part of the photoshoot. In this picture, Miley is fully naked, has confused look on her face and is posing in a stiff, robotic stance. In other words, she’s portraying a Beta Kitten mind control slave. Her legs are sticking out of a pyramid, representing the figurative dismemberment of MK slaves. Extra bonus : The ground has dualistic pattern.



Two heads mirroring each other represent the split personality of MK slaves.


This image is a rather clear way of portraying Miley as MK Beta Kitten. Her soulless white eyes represent her being “blinded” by the system. She can now only see from the third eye on her forehead. While the third eye represent spiritual illumination, in this context, it represents the

#ReturnToOz: #Creepy #Disney #Movie About #Mind #Control

Canción: #Over the #Rainbow = #MKUltra

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“Return to Oz”: 

A Creepy Disney Movie That is Clearly About Mind Control

The 1985 Disney production Return to Oz is described by many critics as one of the most terrifying children’s movies ever made. While many of its scenes are indeed pure nightmare fodder for young minds, there is one fact that is even more disturbing: The movie is actually about a young girl being subjected to the sadistic world of trauma-based mind control.

Warning: Gigantic spoilers ahead!

When Return to Oz was released in 1985, the movie received a somewhat cold reception. While viewers were expecting a sequel to the 1931 classic The Wizard of Oz, the movie ultimately delivered a much darker experience. While The Wizard of Oz featured munchkins singing about lollipops, Return to Oz features Dorothy being taken to a grimy mental hospital, strapped down on a bed to be electroshocked … and then things get worse.

Described by one movie critic as “bleak, creepy and sometimes terrifying“, Return to Oz is one of these movies that makes one wonder why they were marketed to children. However, when one understands the hidden underlying meaning of the movie, things make more sense. The movie is secretly about trauma-based mind control, the most sadistic practice known to man, so those behind it probably took sadistic pleasure in scaring young viewers around the world.

Return to Oz symbolically describes the horrific process of trauma-based mind control as experienced by a young girl. Also known as MKULTRA, mind control is about subjecting victims to trauma that is so intense it cause them dissociate, or disconnect, from reality as a response mechanism to protect their conscious mind. The slave’s handler then creates a programmable alter-persona he can manipulate. 

Through fantasy,Return to Oz describes the programming process of a young girl that has dissociated from reality into a world created by her handler.

The Wizard of Oz: The Occult Elite’s Favorite Programming Tool

In my article on The Wizard of Oz, I explained how the movie was used in MKULTRA as a programming tool on mind control slaves. The same way Dorothy goes “over the rainbow” to escape to the Land of Oz, MK slaves, who are being brutally tortured are told to go “over the rainbow” and dissociate from reality to escape the unbearable trauma.

“The Wizard of Oz was chosen in the late 1940s to be the basis for the Illuminati/Intelligence community’s trauma-based total mind control programming. As a way of enhancing the effect of the programming, Monarch slaves are conditioned to place trigger items into their lives.”

– Fritz Springmeier, The Illuminati Formula to Create a Mind Control Slave

While The Wizard of Oz was chosen and twisted to become a programming tool, Return to Oz was custom-made to become an ode to mind control. Based on Frank L. Baum’s The Land of Oz and Ozma of Oz (books 2 and 3 of the series), the Disney production added several key elements to the tale to make it about mind control. For instance, in the books, Dorothy is not sent to a psychiatric ward to get electroshocked. Why was this unsettling bit added to the movie? Return to Oz follows the same basic script as several other movies used in mind control such as Alice in Wonderland, Labyrinth and even Coraline: An inquisitive young girl escapes reality to explore a fantasy land filled with fun and adventure, where no rules apply. However, in the world of MK, that fantasy land is actually a symbol for dissociation – the place where the mind escapes to in order to cope with trauma.

Let’s look at the upsetting strangeness that is Return to Oz.

Return to Oz

The movie begins where The Wizard of Oz left off. Dorothy is in her room and keeps thinking about the magical Land of Oz. Auntie Em is concerned because she hasn’t been able to get a good night’s sleep. What does she do about this situation? She decides to bring her to a “therapist” who specializes in electroshocking his patients back to reason. That’s great parenting right there.

Before Dorothy leaves for the ward, she finds a key with the symbol for Oz. It represents the key to her core personality – her true self.

At the clinic, we see the Dr. Worley holding the key. This represents him taking over her mind and becoming her MK handler.

Dr. Worley tells Dorothy “I know exactly what will cheer you up!” and presents to her his electroconvulsive therapy (ECT) machine.

Dr. Worley tells Dorothy that his machine has eyes and a mouth. This foretells the fact that this machine will become an actual character in the twisted world Oz – the world Dorothy will be taken to while dissociating.

#Michael #Jackson’s “#Secret #Drawings” Reveal References to #Mind #Control

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Michael Jackson left behind a great quantity of artwork – and their symbolism is very telling. They provide a rare insight into his inner-struggles and, more importantly, are riddled with images and triggers relating to Monarch mind control.

The story of Michael Jackson is the story of everything that is wrong in the entertainment industry. Pushed into the spotlight from a young age, Jackson became a literal slave of the music industry. While at the peak of stardom, MJ slowly but surely metamorphosed into a completely different person. Although his physical changes were the most obvious, he also showed signs of heavy psychological abuse. Was he subjected to Monarch Programming during a crucial stage of his life? New clues appear to hint in that direction.

A collection of never-seen drawings made by Michael Jackson are now up for sale by a Florida man who owned them and their symbolism is quite revealing. They are completely on-par with MK-themed “art” featured on this site such as the paintings made by MK survivor Kim Noble (see the article about her here). Here they are. 

This drawing depicts a smiling face that is attached to several wires. The wires are connected to what appear to be switch boxes. Is this a reference to electroshock torture? Also, there appears to be small horns growing from his head.

A strange clock on which only the number 7 is visible. MJ appeared to be obsessed with that particular number – which is not an uncommon obsession of MK slaves.

This illustration depicts MJ’s face and the number seven above it. The bottom half of his face is deformed and crosshatched as if it was being shocked with electric current. Is this another reference to electroshock torture?