Aquí reposa la verdadera historia reciente del ser humano, desde el año 2013 hasta nuestros días, historia que será ocultada a las futuras generaciones.
Here lies the true recent history of humans, from 2013 to present day, a history that will be hidden from future generations.
EN LA INDUSTRIA MUSICAL ILLUMINATI ABUNDAN PERSONAJES QUE IRRUMPEN EN LOS TABLOIDES, LOS CUALES PARA LLEGAR A LA CIMA MUNDANA DE FAMA Y PODER HAN VENDIDO SU ALMA AL DIABLO
javifiesta.blogspot,com
Presentamos las extrañas y controvertidas declaraciones, muchas de ellas literales, de artistas que han realizado pactos de poder con el diablo. Muchos artistas que adquieren una inusitada fama e irrumpen en los tabloides de la noche a la mañana en la escena mundial, terminan mal y no pueden evitar el colapso nervioso o muertes por fatalidades.
En este sentido recordemos en un artículo pasado, cuando analizamos el comportamiento extraño de la cantante grupera Jenny Rivera, la cual organizó su ultimo concierto en forma de cruz y llenó de flores el
No entendemos como tanta mierda puede estar junta y que la raza humana
[homo sapiens (“sabio”)] mire esta basura.
We don’t understand how all this shit can be together in one place and that the human race
[homo sapiens (“wise”)] can watch this crap.
vigilantcitizen,com
The 2015 VMAs were a typical awards show: Music industry puppets doing what they are told to do by their masters. The host of the show, Miley Cyrus, is the ultimate product of the industry: a hyper-sexualized Kitten slave with no control over her behavior, image or her thoughts.
If you are a regular reader of Vigilant Citizen, you know that I’ve been writing about award shows for years.
I always feel compelled to analyze them because they so openly reveal the powers that controls popular culture and their true intent. Six years ago, I wrote an important article on the 2009 VMAs that was one of the most blatant displays of the occult elite ever seen. Do you remember who the stars were of the 2009 VMAs? Kanye West and Taylor Swift. Do you know who the stars were of the 2015 VMAs? Kanye West and Taylor Swift. Six years later, the puppet show still uses the same puppets to “entertain” us. The VMAs are indeed not for the claustrophobic. Year after year, the show unites the same faces in a closed space to act out whatever ritual the elite wants the masses to witness this particular year. The 2015 VMAs were no different, and, in some ways, took things to a disgusting new low.
The 2015 VMAs were about mind control slaves, alter personas, hypersexualization, degradation, strange
Brooke Candy is an up-and-coming pop singer who is already
deep in the elite’s Agenda. Her short video “A Study in Duality” manages
to contain most of the imagery relating to Illuminati mind control and
the occult mindset surrounding it.
Although Brooke Candy is not yet considered to be a full-fledged pop
star, all of the elements are there to make her a favorite of the
elite’s music industry. On top of having all of the right connections to
“make it big”, she is definitely willing to permeate her work with the
Agenda required to get some of that sweet spotlight action.
Candy’s father is the CFO of Hustler magazine and CEO of
Hustler Casino. Her industry ties allowed her to get signed with RCA
records in 2014 and to to collaborate with people deep in the Illuminati
industry such as stylists Nicola Formichetti and Steven Klein (both of
them shaped Lady Gaga’s image) and artists such as Nicki Minaj, Charli XCX and Azealia Banks.
The executive producer of her debut album is Sia who will also be
writing songs for her. Considering the fact that Sia’s own album 1000 Forms of Fear revolves around MK symbolism and that she wrote for other MK-system stars such Rihanna, Beyonce, and
Britney Spears, would you be surprised if I told you that the symbolism
surrounding Brooke Candy is also MK-related? Well, don’t be. Because
the material that was released after Candy’s signing with RCA is all
about the Agenda.
Although it is not even a full music video, A Study in Duality
manages to sum-up what Brooke Candy and the entire industry is about :
Occult and MK symbolism mixed with debasing, dehumanizing imagery. The
video was directed by Nicola Formichetti who worked on Lady Gaga’s
videos Bad Romance, Telephone, Alejandro and Born This Way
Formichetti on the cover of L’Officiel with a butterfly hiding one eye,
Análisis Epistemológico del Grito de Cristiano Ronaldo
EL RUGIDO SATÁNICO ES CULTO MASÓN A SATURNO
EL MKULTRA HIZO UN RITUAL PERFECTAMENTE ORGANIZADO POR SUS AMOS
Hoy vas a alucinar cuando descubras las simbología del famoso grito de Ronaldo, ya un meme (icono subconsciente) de internet, la pajarita y los puños. También vamos a dar una exclusiva de Miley Cyrus y Justin Bieber.
Para hacer el análisis epistemológico del rugido animal de este botarate con cejas depiladas.
Epistemológico quiere decir “teoría del conocimiento”, el conocimiento oculto que hay tras este extraño y makarresco ritual.
Después del leer y sobre todo VER el post, te dirás:
¡cómo no pude darme cuenta!
Lee atentamente…
ORIGEN DEL GRITO DE RONALDO
Toda la historia es increíble, de película, de Hollywood. Y todo empezó, claro, en Los Angeles, la ciudad de los demonios. De repente el Real Madrid, decidió el 17 de julio de 2011 que había que celebrar los triunfos con un grito:
In this edition of SPOTM: #Christina #Pimenov, #Madonna, #Amanda #Bynes and more proof that the fashion world is sick.
Christina Pimenov is a 10 year old “supermodel” who was dubbed “the most beautiful girl in the world”. Her social media accounts are followed by over 2 million weirdos and feature a variety of pics of her that clearly sexualized.
10 años, Christina es "supermodelo", catalogada estúpidamente por mentes crétinas como "la niña más guapa del mundo". Sus redes sociales tienen más de 2 millones de seguidores retardados y muestran fotos claramente sexualizadas de ella.
Most of the her pics disturbingly emphasize her legs and her behind.
Sus fotos enfatizan perturbadoramente su piernas y su parte posterior.
“Casual” pics of her showcasing her legs are often posted online, often triggering a string of creepy comments from subscribers.
Fotos "casuales" mostrando sus piernas son expuestas en la red, muchas veces desatando comentarios escalofriantes de sus suscriptores.
The 2014 VMAs were focused on a single theme – a theme that
was expressed using most of the stars of the show. From Nicki Minaj and
Ariana Grande to Iggy Azalea and Beyonce, the sight and the sounds of
the VMAs were about one thing: Oversexualization using Illuminati
puppets.
Last year’s VMAs were all about Miley Cyrus acting like a fully
programmed Beta Kitten. This year, nearly all of the performers who took
the stage were acting like fully programmed Beta Kittens. When the
“highlights” of an award show are the butt implants of Nicki Minaj and
(most likely) Iggy Azalea, you know there wasn’t much substance there.
After the show, MTV reported as “news” that Austin Mahone said about
Nicki Minaj:
“Her butt was just huge. That was all I could focus on.”
This pretty much sums up the 2014 VMAs: a dumbstruck audience staring
at butts for a few hours, mixed with some industry pawns getting shiny
trophies. While some viewers might say “That was awesome!”, let’s not
forget that the target audience of MTV are born around the year 2000.
They are the ones growing up watching this, absorbing the sights and
sounds. And the sights and sounds of the 2014 VMAs sent a clear message
to these youths.
Oversexualization means, simply, “sexualizing excessively”. Yes,
making love is a wonderful part of life, but when this act is debased,
corrupted, exploited, and sold to young, immature minds, it can produce
lifelong negative psychological and interpersonal effects. However, to
the occult elite, those effects are desirable because it produces a
population with “loose morals”, which is just the kind of population
they are looking to create.
One giant creepy All-Seeing Eye is letting you know that the elite is sponsoring this fiasco.
As usual, the VMAs featured small selection of performers. Even
“crowd reaction” shots were focused only on a few guests, namely Katy
Perry, Taylor Swift, and Kim Kardashian. In short, the 2014 VMAs were
all about the industry kittens.
Here’s a look at the main stars of the VMAs and their main message.
You will probably realize that they are all similar, almost as if they
were controlled by the same people. Newsflash: They are.
Ariana Grande
Ariana Grande is yet another child TV star turned into an industry Kitten.
Lo obvio es ya tan patético: ved los
símbolos de todos los mkultra, que ya sólo nos queda tararear y bailar
con ellos cuando oímos sus infamias.
Hemos convencido y popularizado ya la
verdad del programa mkultra. Los Mass Media no tiene otro remedio que sacar los temas de
las Divas Mkultra, que nos copian, pero sin citar la referencia, como
hicieron El País de Bilderberg.
Ya nadie duda, a menos que seas retrasado
mental, es decir a menos que seas magufo escéptico. Todo el mundo ya
acepta lo que dijimos, que el mundo está gobernado por una Psicopatocracia Anunnaki.
Los descendientes de los anunnaki nos dominan y sus símbolos aparecen
por doquier, especialmente en Hollywood y en los videoclips de las
mkultra.
En el colmo de la desfachatez, hacen referencias al abuso en los vídeos de Miley Cyrus o en Starships-Naves, sacan el símbolo masón semioculto o cantan:
“Danzad ahora, hijos de puta” o “Estamos
por Encima de los Hijos de Puta”, ya que ellos llaman al borregomátrix
así o “cerdo” o “ganado” o “goyim”.
Nicki se refiere a sí misma como “las putas como yo” y dice salada ella, “me importa una polla”…
Tienen ya tanta confianza y tanta impunidad, que da asco… pero esto, claro, es cosa de locos de teorías de la conspiración…
Cuando llegan las naves, en un paisaje de
tonos rosa, típicos de mkultras beta, las esclavas y esclavos duermen.
Los borregomátrix duermen para el engaño supremo, el Blue Beam. La falsa
invasión alien ya se da, ya te abducen y secuestran y los
desinformadores te cuentan milongas de extraterrestres, cuandos son
secuestros militares. Con una danza maorí-hawaiina, y vestididos de
rosas o anaranjados travestis, los bailarines reciben a los falsos
extraterrestres con gestos rituales masones. Llevan además mandil masón,
como el logo de gmail.
Minaj aparece de la nada de las
aguas, como la Venus de la Primavera, que representa a Lucifer y claro
con bikini rosa. Es un engaño, un holograma. Sale del agua, de las naves
illuminati. De la Nada… El Engaño Masivo de las Mkultra.
Si no puedes con tu enemigo, no te
amargues, ríete con él y baila con él, ya que como todas las canciones
de las mkultra son muy molonas.
DISFRUTA DEL TEMA PORQUE ES PEGADIZO A TOPE Y EL VIDEOCLIP CONSEGUIDO
ELLAS NO CANTAN, TODO ES UNA FARSA CON SOFTWARE
Una de las chicas lleva un zapato con iconografía zebra mkultra. Minaj aparece tirada en el suelo, donde como esclava beta es pisoteada y
espera a sus amos. Y se pone a cantar las mismas idioteces que podría
cantar Lady Gaga o Miley Cyrus.
Cualquier canción de las mkultra puede ser intercambiable. No cantan
ellas, ni tienen esas voces, todo es un engaño, con software y
programas de musica de estudio. Si te fijas, todas cantan muy bien, y
muy parecido. Son monigotes. Ya lo sabemos. Es como Villi -Manilli, un
fake, incluso en vivo simulan la voz con efectos o playback y en vídeo,
pues no te digo nada, fijáos como al principio o en toda la canción no
coinciden los labiso con la letra…
Te habrás fijado que las mkultra cantan todas de madre: Marylin, Lady Gaga, Beyoncé, Cyrus…¿cómo es posible con lo drogadas que están….? En algunos casos tienen una buena base, como en Elvis o el todavía preso de vudú Michael Jackson… pero lo cierto es que muchas veces retocan sus veces con falso
playback o lo modelan en el estudio.
El caleidoscopio simboliza el síndrome de personalidad múltiple. Minaj se convierte en varias Minajs y se coloca con las drogas y
trances que la provocan. Ve el mundo rosa, como por un
caleidoscopio. Aparece un cubo blanco, culto a Saturno-Satanás. Y Minaj
cambia de colores como de personalidades… con los colores mkultra del
arcoiris, símbolo reptiliano y mkultra. Por eso en Eyes Wide Shut la tienda de disfraces se llamaba “Arcoiris”.
En un momento del vídeo se ve un rayo azul en el cielo, una nueva
referencia al programa de la CIA NSA, Rayo Azul. Algunos ovnis que se
ven son falsos hologramas, como los de los chemtrails.
Ke$ha’s latest album Warrior is apparently not what she wanted it to be. When Dr. Luke signed on as executive producer of the project, he reportedly scrapped all of the songs Ke$ha and her mother Pebe Sebert originally wrote for the album. It is important to point out that Dr. Luke is currently a leading figure in the music industry as he produced tracks for the likes of Katy Perry, Britney Spears, Jessie J, Nicki Minaj, Rihanna and many other pop stars. Some of his singles were analyzed on this site such as Britney’s Hold it Against Me, Jessie J’s Price Tag and Katy Perry’s Part of Me. In short, he’s one of the people who tells industry puppets what to sing – and what they sing is part of an Agenda.
More recently, Dr. Luke co-wrote and produced Ke$ha’s comeback single Die Young – a song with a message that fits right in the elite’s Agenda, accompanied with a video loaded with Illuminati symbolism (read the article about it here). In the wake of Sandy Hook, Ke$ha took to Twitter and claimed that she was forced to sing that song.
Frustrated with her situation, Ke$ha wrote Dancing With the Devil – a song that aptly describes what happens to pawns of the music industry. Some describe this song as a diss track aimed at Dr. Luke. However, if you carefully read the lyrics, Dancing With the Devil deals with a topic much larger than a single producer. It’s about the cost of selling one’s soul for fame and fortune.
I keep on dancing with the Devil
I keep on dancing with the Devil
I sold my soul, ain’t no turning back
I keep on dancing with the Devil
You and I made a deal
I was young and shit got real
Weaving through Heaven and back
Whoaaa
Your love is made of dirty gold
But I’m the one who sold my soul
So go ahead and take my hand
Whoaaa
I keep on dancing with the Devil
I keep on dancing with the Devil
I sold my soul, it’s a dead-end road
But there ain’t no turning back
I keep on dancing with the Devil
Hey-heey-hey
I can’t escape my filthy past
I made mistakes, I made ‘em last
I know you love to watch me cry
Whoaaa
So while I’m yours until the end
A holy war, I’ll never win
So I’ll keep dancing ’til I die
Whoaaa
I keep on dancing with the Devil
I keep on dancing with the Devil
I sold my soul, it’s a dead-end road
But there ain’t no turning back
I keep on dancing with the Devil
Hey-heey-hey
He’s got my mind (You got..)
He’s got my soul (..Hell to pay)
My… he won’t let me go!
I keep on dancing with the Devil
I keep on dancing with the Devil
I sold my soul, it’s a dead-end road
But there ain’t no turning back
I keep on dancing with the Devil
Hey-heey-hey
The song is not very subtle: It compares being part of the music industry with “dancing with the Devil”. With lines such as 2You and I made a deal /I was young and shit got real”, Ke$ha explains how young and naive artists are taken advantage of and recruited by the industry. Lured by fame and fortune, these young hopefuls agree to not only a legal contract but to a life changing oath that has profound implications on their entire being.
Lines such as “So while I’m yours until the end / A holy war, I’ll never win” convey a sense of powerlessness versus the powers governing Ke$ha’s life. The notions of complete control coupled with the dark spiritual theme underlying the song is not surprising when one knows that it describes an entity that uses Satanic Ritual Abuse and Monarch Programming to achieve its aims.
In short, the song describes the dark side of the Illuminati industry as described on this site. It is about desperation, written by someone who apparently realized that she went too far on “a dead end road”. As if to confirm the message of the song, the producers scrapped it from the final album.
