FULL ARTICLE WITH PICTURES
https://realnewsandhistory.com/sound-of-music/
Though not a typical Hollyweird "anti-Nazi" film, the propaganda value of the since-immortalized 1965 musical drama, The Sound of Music, -- starring "A-listers" Julie Andrews and Christopher Plummer -- was immense. What made SoM such an effective vehicle for disinformation was the fact that the poison was delivered within the body of a heartwarming, though somewhat cheesy, story of an Austrian-Aryan family -- and greatly sweetened by the beautiful singing of Andrews and the children. As a song which Andrews herself made famous in Mary Poppins goes: "a spoonful of sugar helps the medicine go down." And indeed, in the case of SoM, that "medicine" was the not-so-subtle "anti-Nazi" contextual message of the film.
"The Editorial Board" of Real News & History apologizes in
advance (actually, we don't) if this story ends up souring your previous love
for this seemingly nice film about the singing von Trapp family. But it's time
to set the record straight about the damaging Fake History which serves as its
mushy backdrop.
What's not to love about a musical featuring a beautiful, happy and loving Aryan-Austrian family singing in the Alps with angelic voices? Plenty! Leave it to "the usual suspects" to drop a poison pill inside of a pretty package.
The Sound
of Music was produced and directed by Robert Wise (cough cough) as an
adaptation of the 1959 Broadway show of the same name, composed by Richard
Rodgers (cough cough) and Oscar Hammerstein II (cough cough), and screenplay by
Ernest Lehman (cough cough). Based on the memoir The Story of the Trapp Family
Singers by Maria von Trapp, the film is about Maria, a young Austrian woman who
is sent to the villa of a retired naval officer and widower, Captain Georg von
Trapp, to be governess to his seven children. After teaching music to the
children, she marries the officer.
USING ARYAN
IMAGERY TO ATTACK THE HATED ARYANS
Behind the facade of the beautiful Germanism
of the Sound of Music lurked the usual suspects --- Rodgers & Hammerstein,
Wise and Lehman.
While away on their honeymoon, the Captain learns that Globalist puppet Austria has been annexed by Germany in The Anschluss (March, 1938). The couple returns to their home, where a telegram awaits informing the Captain that he must report to a German Naval base to accept a commission in the German Navy. Strongly opposed to the big bad "Nazis" ™ and the Anschluss, the Captain tells his family they must leave Austria immediately.
Both the
play (Image 1) and Hollywood versions spread the anti-Nazi propaganda thick.
In
Image 2, Captain von Trapp rips up the German flag. // Image 3. Rolf's decision
to join the Hitler Youth and later become a big bad Brownshirt ™ costs him the
love of Liesl von Trapp.
The Truth
About "The Anschluss"
A military
invasion against a defenseless state?---- Or a brotherly unification?
The post WW 1 Versailles Treaty had broken up the Austro-Hungarian Empire and forbade the newly established "democratic" state of Austria from uniting with Germany. But after seeing the great success of Germany, there was no stopping the Austrians desire to unite with their Germanic brothers. The happy marriage was supported by 99% of Austrians and Germans, but opposed by the puppet Austrian government instituted by the Allies after World War I, the Jewish minority in Austria, and also the snobby aristocratic types who held Hitler's populist system of equal opportunity in utter disdain.
Without a shot being fired, German forces moved in unopposed and were greeted as liberators by the joyous people of Austria. As a brotherly gesture towards the Austrians, The Great One (that's Hitler for all you newbies and normies) invited Austrian troops to march inside of Germany as well. When The Great One himself came to visit the land of his youth, he was given a hero's welcome by the frenzied Austrian crowds. Not surprisingly, the western Globo-Zionist media portrayed the joyful unification as: "Germany Conquers Austria.” So, if indeed the real-life Captain von Trapp actually was "anti-Nazi," -- it was only because he was part of the out-of-touch, insensitive, well-connected, well-fed, top 1% ruling class of puppet Austria; and not part of the starving masses who absolutely adored The Great One.
That's the truth about the big bad Anschluss. And no amount of Broadway (cough
cough) or Hollyweird (cough cough) bullshit, mixed in with angelic-sounding
"do-re-mi-fa-so-la-ti-do" and beautiful Alpine imagery can change it.
1 &2.
Overjoyed Austrians turn out to welcome The Great One, their
hometown-boy-turned-liberator. // 3. The Great One lays a wreath at the grave
of his parents.
1 &2.
After the Anschluss, fed-up Austrians made the Marxist Jews of Vienna scrub
their political graffiti off of the sidewalks. // 3. Pro-Anschluss poster
depicts Austria's unpopular, anti-Anschluss, western puppet-rat Chancellor Kurt
von Schuschnigg and a gang of Jews fleeing as NSDAP takes over.
1. The
anti-White Communist and "father of the European Union" Count Kalergi
(whom Hitler referred to as "a cosmopolitan bastard" was forced to
flee the new Austria. // 2. Kalergi's friend and admitted benefactor, Louis de
Rothschild, was then arrested and his bank was seized. Rothschild later told a
Swiss newspaper that, while in captivity, he too was made to scrub hotel
floors!
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